-
1 Hochdruckverfahren
n DRUCK. letter-press (printing) method, relief printing method* * *Hoch|druck|ver|fah|rennt (TYP)relief printing method* * * -
2 высокая печать
1) Engineering: engraved roller printing, letterpress, letterpress printing, relief printing, typography2) Polygraphy: letterpress (printing) process, typographic printing, typographical printing3) Cartography: letter printing4) Advertising: relief printing method5) Automation: relief print6) Makarov: in letterpress, letterpress printing process, letterpress process -
3 способ высокой печати
Advertising: relief printing methodУниверсальный русско-английский словарь > способ высокой печати
-
4 Baxter, George
SUBJECT AREA: Paper and printing[br]b. 31 July 1804 Lewes, Sussex, Englandd. 11 January 1867 Sydenham, London, England[br]English pioneer in colour printing.[br]The son of a printer, Baxter was apprenticed to a wood engraver and there began his search for improved methods of making coloured prints, hitherto the perquisite of the rich, in order to bring them within reach of a wider public. After marriage to the daughter of Robert Harrild, founder of the printing firm of Harrild \& Co., he set up house in London, where he continued his experiments on colour while maintaining the run-of-the-mill work that kept the family.The nineteenth century saw a tremendous advance in methods of printing pictures, produced as separate prints or as book illustrations. For the first three decades colour was supplied by hand, but from the 1830s attempts were made to print in colour, using a separate plate for each one. Coloured prints were produced by chromolithography and relief printing on a small scale. Prints were first made with the latter method on a commercial scale by Baxter with a process that he patented in 1835. He generally used a key plate that was engraved, aquatinted or lithographed; the colours were then printed separately from wood or metal blocks. Baxter was a skilful printer and his work reached a high standard. An early example is the frontispiece to Robert Mudie's Summer (1837). In 1849 he began licensing his patent to other printers, and after the Great Exhibition of 1851 colour relief printing came into its own. Of the plethora of illustrated literature that appeared then, Baxter's Gems of the Great Exhibition was one of the most widely circulated souvenirs of the event.Baxter remained an active printer through the 1850s, but increasing competition from the German coloured lithographic process undermined his business and in 1860 he gave up the unequal struggle. In May of that year, all his oil pictures, engravings and blocks went up for auction, some 3,000 lots altogether. Baxter retired to Sydenham, then a country place, making occasional visits to London until injuries sustained in a mishap while he was ascending a London omnibus led to his death. Above all, he helped to initiate the change from the black and white world of pre-Victorian literature to the riotously colourful world of today.[br]Further ReadingC.T.Courtney Lewis, 1908, George Baxter, the Picture Printer, London: Sampson Lowe, Marsden (the classic account).M.E.Mitzmann, 1978, George Baxter and the Baxter Prints, Newton Abbot: David \& Charles.LRD -
5 Senefelder, Alois
SUBJECT AREA: Paper and printing[br]b. 6 November 1771 Prague, Bohemia (now Czech Republic)d. 26 February 1834 Munich, Germany[br]German inventor of lithography.[br]Soon after his birth, Senefelder's family moved to Mannheim, where his father, an actor, had obtained a position in the state theatre. He was educated there, until he gained a scholarship to the university of Ingolstadt. The young Senefelder wanted to follow his father on to the stage, but the latter insisted that he study law. He nevertheless found time to write short pieces for the theatre. One of these, when he was 18 years old, was an encouraging success. When his father died in 1791, he gave up his studies and took to a new life as poet and actor. However, the wandering life of a repertory actor palled after two years and he settled for the more comfortable pursuit of playwriting. He had some of his work printed, which acquainted him with the art of printing, but he fell out with his bookseller. He therefore resolved to carry out his own printing, but he could not afford the equipment of a conventional letterpress printer. He began to explore other ways of printing and so set out on the path that was to lead to an entirely new method.He tried writing in reverse on a copper plate with some acid-resisting material and etching the plate, to leave a relief image that could then be inked and printed. He knew that oily substances would resist acid, but it required many experiments to arrive at a composition of wax, soap and charcoal dust dissolved in rainwater. The plates wore down with repeated polishing, so he substituted stone plates. He continued to etch them and managed to make good prints with them, but he went on to make the surprising discovery that etching was unnecessary. If the image to be printed was made with the oily composition and the stone moistened, he found that only the oily image received the ink while the moistened part rejected it. The printing surface was neither raised (as in letterpress printing) nor incised (as in intaglio printing): Senefelder had discovered the third method of printing.He arrived at a workable process over the years 1796 to 1799, and in 1800 he was granted an English patent. In the same year, lithography (or "writing on stone") was introduced into France and Senefelder himself took it to England, but it was some time before it became widespread; it was taken up by artists especially for high-quality printing of art works. Meanwhile, Senefelder improved his techniques, finding that other materials, even paper, could be used in place of stone. In fact, zinc plates were widely used from the 1820s, but the name "lithography" stuck. Although he won world renown and was honoured by most of the crowned heads of Europe, he never became rich because he dissipated his profits through restless experimenting.With the later application of the offset principle, initiated by Barclay, lithography has become the most widely used method of printing.[br]Bibliography1911, Alois Senefelder, Inventor of Lithography, trans. J.W.Muller, New York: Fuchs \& Line (Senefelder's autobiography).Further ReadingW.Weber, 1981, Alois Senefelder, Erfinder der Lithographie, Frankfurt-am-Main: Polygraph Verlag.M.Tyman, 1970, Lithography 1800–1950, London: Oxford University Press (describes the invention and its development; with biographical details).LRD
См. также в других словарях:
Relief printing method — Высокая печать, способ высокой печати … Краткий толковый словарь по полиграфии
relief print — printing method in which the letters or printing blocks protrude … English contemporary dictionary
printing — /prin ting/, n. 1. the art, process, or business of producing books, newspapers, etc., by impression from movable types, plates, etc. 2. the act of a person or thing that prints. 3. words, symbols, etc., in printed form. 4. printed material. 5.… … Universalium
Relief — For other uses, see Relief (disambiguation). A Persian mid relief (mezzo rilievo) from the Qajar era, located at Tangeh Savashi in Iran, which might also be described as two stages of low relief. Relief is a sculptural technique. The term relief… … Wikipedia
relief — n. 1 a the alleviation of or deliverance from pain, distress, anxiety, etc. b the feeling accompanying such deliverance. 2 a feature etc. that diversifies monotony or relaxes tension. 3 assistance (esp. financial) given to those in special need… … Useful english dictionary
Printing — is a process for reproducing text and image, typically with ink on paper using a printing press. It is often carried out as a large scale industrial process, and is an essential part of publishing and transaction printing.HistoryWoodblock… … Wikipedia
relief — [ri lēf′] n. [ME releef < OFr relief < relever: see RELIEVE] 1. a) an easing, as of pain, discomfort, or anxiety b) a lightening of a burden, as of taxation, oppression, etc. 2. anything that lessens tension or strain, or offers a pleasing… … English World dictionary
Woodblock printing — For the technique, see xylography. For the history in Europe, see old master print. For Japanese woodblock printing, see woodblock printing in Japan. Young monks printing Buddhist scriptures using the rubbing technique, Sera Monastery in Tibet,… … Wikipedia
Woodblock printing in Japan — For woodblock printing in general, see Woodblock printing. The Great Wave off Kanagawa (神奈川沖浪裏, Kanagawa oki nami ura … Wikipedia
letterpress printing — or relief printing or typographic printing In commercial printing, process by which many copies are produced by repeated direct impression of an inked, raised surface against sheets or a continuous roll of paper. Letterpress is the oldest… … Universalium
History of printing — The history of printing began as an attempt to make easier and reduce the cost of reproducing multiple copies of documents, fabrics, wall papers and so on. Printing streamlined the process of communication, and contributed to the development of… … Wikipedia
